So I can’t do anything with my legs, I can’t do anything with my hips, I have to use this space”. Well, I do more hand movements and I realize that my frame is upper body. If I’m on stage, I’m pacing there to create energy. The second part of it is storytelling looks so different on camera than it does on stage. “So what I shared there was what happens like five minutes before they come on camera. Dan shares extra details about how he goes about this process. We’ve already established that a virtual emcee can be a great coach to your speakers. So I think coaching people through that is essential”, he adds. For example, a little shift in the camera gives a very different view. There are similar elements when it comes to virtual conferences. “Step number two is usually before they come on stage backstage, I will tell them, here is your microphone, are you going to use a handheld mic or a headset? Your sound crew is over here and I’ll guide them through what makes for a great performance on stage. And a lot of people are anxious and even though there is no audience, and even though they might not be 5,000 people looking at me, being in front of a camera is scary for many people”. Because anyone who’s happy with themselves before they come on stage is going to deliver really well. First, I make sure that they’re okay and comfortable. But he gives us some more great insight into the matter! “So essentially there are two main things I do for every speaker before they come on the stage. The Role Of A Virtual Emcee In The Pre-Showĭan already teases how a virtual emcee can help out before the virtual event takes off. And a good virtual emcee can help with that”. So this is what we do, we flattened the curves so that the experience is a little bit more palatable for everybody rather than someone awesome on camera and someone who’s just reading notes off into a camera. “And so I feel like a virtual emcee just smoothens everything. It’s a totally different game”, he explains. Just because you can rock a stage does not mean you can rock a camera with no audience, with no feedback from the audience. And that is just figuring out audio, video, lighting, and all of that. Because now those same event organizers are coming to me and be like, “Okay, we need to change the format, help us out.” So even what we did right before we went live was so important for this podcast to work. “I can’t just waltz into a well-designed conference hall and do my thing. So if you’re curious to learn how a virtual emcee can help ensure the success of your remote event, wait no longer – press play and join Dan Ram and Will Curran on a brand new, exciting episode of #EventIcons!ĭan walks us through the process of temporarily trading in-person gigs for the virtual emcee role. And as a remote emcee, world traveler, and industry icon, he has plenty to teach. To help answer all these questions, we’re happy to introduce Dan Ram. ![]() But where to start? And why should you really consider hiring one? What are the tangible benefits brought to the table? Not only will one keep your event interesting, but it will also make your audience happier and eager for more. So considering a virtual emcee is definitely something you want to do. ![]() Especially because one of the biggest concerns with virtual events is audience engagement. Now that virtual events are the talk of the town, it’s time to consider a virtual emcee.
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